"Don't Think, Feel" - Thoughts from my first BABYMETAL concert

In many ways, I would describe myself as a fan that "knows everything yet knows nothing". I found out about BABYMETAL through reaction videos on Youtube in early 2020, and although I soon devoured all the concert footage and interviews and stories about them that I could find, I had never been blessed with the opportunity to experience them live until yesterday night in Taipei.

Before the concert, I had "followed" the 2023 Sabaton concerts and earlier Asia shows in real time, constantly checking Discord to see which songs were on the setlist, and if there was anything new or surprising. I would get excited when surprising songs like "Shanti Shanti Shanti" were announced, and hyped to see some new bangers like "Maya".

When you're at the show though, none of that matters. I paradoxically cared about the setlist more as a spectator on the internet, than when I was there in the moment experiencing it. Performed live, every song is a banger, and every song they select is the right one.

Su famously says "Don't Think, Feel" when it comes to BABYMETAL, and she's absolutely right. This idea felt somewhat abstract to me before last night, but afterwards, I truly understood what she was saying. BABYMETAL is often described as a "theatrical" performance. There are various different elements of "theater" that typically come to mind when most people use the word - acting, facial expressions, creating a sense of story and lore, suspension of disbelief, etc.

But there's something else that's a crucial part of theater - it doesn't last. It's there, and then it's gone.

Unlike movies or other forms of visual storytelling, theater performances typically are a "one-time" thing. Sure, a theater troupe might perform the same play multiple times, but each performance is unique. This is in contrast to a movie, which will always be exactly the same. Perhaps you might observe something you overlooked before, or feel differently about it at different times. But the movie itself is static and permanent, whereas every night of "Romeo and Juliet" performed 7 nights in a row is different. The slight differences in inflection, the facial expressions, the emphasis, the little mistakes... the show that you saw today is simply not identical to the show your friend saw yesterday.

This is something that affects both the actors and audience alike, and a big part of what makes theater special - when you know that it's a fleeting experience; that what you see will never be 100% replicated again (recordings are but a limited view), it primes you to focus on "feeling" and "experiencing" the show, savoring each moment for what it is because there's no time to think about it - every moment is passing you by, every second and minute. That moment Moa flashes a ridiculously charming grin, and when your eyes seem to meet, it's as if she's looking right at you and no one else in the world? Cherish that moment, because it was there, and now it isn't.

To be clear, I have nothing against people recording concerts on their phones and taking photos (as long as they're not overly obstructing the view) to share the experience as best they can, and try and preserve memories for themselves and the fanbase. But for my very first show, I decided to (perhaps selfishly) simply soak it all in and bask in the BABYMETAL experience without taking a single fancam video, and that's what helped me enjoy the show to its fullest. (I would note that it seemed there were generally fewer phones out at all times, in contrast to some European or American shows I've seen, and it generally didn't affect the viewing experience at all for me)

In a sense, all the "book-knowledge" I possessed about BABYMETAL and their songs made it easier for me to "Feel" and not "Think". I already knew when I was "supposed" to raise my fists, when to chant, and when to mosh for each song. And that brings me to the first of several points about the concert that really came to mind (I don't plan on doing a full concert recap, as in a sense, the play-by-play isn't actually that different between each performance, but what you personally see and feel is what makes it unique):

1) The audience is an integral part of the show

This is also very much a "BABYMETAL cliche", but it's also absolutely true. I don't know what it is, but it almost feels like we're compelled to be an amazingly hype crowd because we don't want to let them down, almost like we're performing for them. I'd estimate that roughly 1/4 to 1/3 of the crowd may have been from Japan, and they obviously know exactly what the crowd "should" be doing. But the Taiwanese crowd was extremely in sync, constantly cheering and jumping and yelling at the right time, giving the girls further energy, leading to my next point:

2) Perfect combustion

BABYMETAL shows are understandably criticized as being too short. There certainly are ways to pad out the length fairly easily without adding to the physical workload of the members, such as adding Kami solos and some lore videos. But personally, I think the 70 minute pedal-to-the-metal non-stop performance is really exhilarating. Both the members and the audience alike give it everything they've got, spending every last bit of energy to burst past the finish line, and you go home wiped out and satisfied. Knowing that the show would be fairly short, I was able to jump and shout and run around to my heart's content, without feeling like I needed to preserve energy. And I think this is part of what makes the live experience so good; no one's phoning it in.

3) Great mix of old and new

I like the Asia setlist very much, and I think that for a concert participant, it was extremely well-structured. For the older songs from the first album, there was a lot of crowd interaction and chanting, which is always fun. But I don't think it would be the best idea to do this for the entire show - by mixing in newer songs that had fewer sections where we felt "obligated" to do various chants and fist-pumping, the new songs from THE OTHER ONE provided a great opportunity to just stand there in awe and enjoy the music and new complex crisp choreography, before another hype classic begins and you start running around again.

4) Kami Masks

The three members were absolutely mesmerizing. Honestly, I feel that even if the Kamis weren't wearing masks, I would still be looking at Su, Moa, and Momo the entire time; I didn't want to miss a single mischievous smirk from Moa, a habitual tongue blep from Su, and the ball of energy that Momo has become. Obviously others that are more fans of the musicians will feel differently, and perhaps I would as well if I had the chance to go to multiple shows and had the luxury of "wasting" my limited (precious) attention on the Kamis, great as they are. On a related note, I saw Barone walking around the venue a few hours before the show (probably getting some refreshments or something) and it seems like absolutely no one recognized him, which is probably exactly what they prefer before a show.

and lastly...

5) Moa and Momo (and Yui before) are magical

I've always believed that BABYMETAL would have been quite successful even if it had been a more traditional rock/metal band with Su as a solo frontwoman. However, it was the "scream and dance" roles that really elevated BABYMETAL from "great" to "legendary". Moa/Momo/(Yui) really do have a way of making the show feel personal, in a way that can't be captured fully on camera. If I were only allowed to pick one thing when it comes to describing the difference between seeing them in person and on a Blu-ray, it would be the little details of Moa/Momo's crowd interaction. The way I see it, Su makes you want to bow down, but Moa/Momo/(Yui) are what make you want to love them. It's a perfect combination.

Random notes I found interesting/amusing

There were several people wearing frog costumes (I counted 4), I'm sure Su got a kick out of that!

During "Megitsune" it seemed that Su was having some earpiece(?) issues; she seemed to be gesturing several times for adjustment, and dashed off the stage immediately after the song was over, and there was a longer pause than usual before the next song "Iine!" began as they resolved the problem. On a related note, Su sounded amazingly good live, with very few pitch issues compared to what I've heard in fancams. I don't know if that's confirmation bias from being at the show, but I think it's fair to say that phone microphones aren't entirely reliable for capturing what you actually hear at the venue.

Earplugs, oh lord earplugs are needed. I was near the barrier in front of the "Moa" side and it felt like I was getting directly blasted by the sound (and the drums/bass in particular). But I heard from some fans in other parts of the floor that the sound was muffled or quiet at places, so I think where you were standing made quite a big difference. At any rate, protect your hearing, people! If I hadn't been wearing earplugs, I definitely could have permanently damaged my hearing; it's not worth it to go without.

All in all, 10/10, would do again.